Paint Markers

LIQUITEX
paint markers with
Winsor Newton
permanent pigment markers
for detail. The later are meant to be
floated on a non-porous
surface, which the
Liq.' pens create on paper.











The bottom image is on mounted watercolor paper.
The suns are on Raymar boards; 6 x 8 inches.

"JEALOUS LITTLE STARS"

"JEALOUS LITTLE STARS"

Oil on linen panel; 11 X 14 inches

'Sulking because they're not the biggest, prettiest or brightest.

This is offered as a paper print with gold ($55.)

and

as a framed giclee print on canvas.

11 X 14 or 16 X 20. ($135. / $220.)

All formats with 23 carat gold.

Here's the sparkle:

"YUP!"

THIS PAPER

carries a lot of color

and some

calligraphic brushwork.

I just turned it into a landscape

by adding a sun-ball and leaves.

He is content with his roll across the sky.

Acrylic and pencil on collaged

scans of antique tile.

Typo film for bright lettering.

"SUN, TOO"

WATERCOLOR

on transparent gesso.

"SUN"

WATERCOLOR

on transparent gesso.

'MISTER FLOWER'

Acrylic and watercolor.

About 6 inches square.

'FAVORITE SUN'

COLLAGE

on paper with watercolor,

oil pastel, typo film

and 23 carat gold.

'REVELLEE!'

HERE'S ANOTHER

rooster and sun.

I like to use watercolor for my letter forms.

Inktense pencils, acrylics and 

india ink for the rest.

On rag board

measuring about 8.75 X 10.75 inches.

AVAILABLE

as a print, too.

'NEW DAY'

A TINY PAINTING

'NEW DAY'

measures 4.75 inches square.

India ink, acrylic, type correction film

and 23 carat gold over

copper pigments on rag board.

We've got lots of roosters

in Key West.

SUN, RAIN, SUN

THIS COLLAGE is titled, and inspired by our local weather in the Florida Keys. The summer month's weather can change very quickly; in fact the very roadway that services our islands plays a part in the air/ heat convections that encourage quick growth of rain clouds. The showers can be spotty and it's not too unusual to see rain at the end of the block while we're still dry at the front door. Hurricane season starts June 1st.

Someone asked about the copper 'posts' in the collage. They are foam-core rectangles wrapped with copper foil on which I had drawn designs (embossed) and then patinated. The acrylic-sealed elements were then affixed with archival adhesives. That's type correction film for the water rings splashing about....

ONCE AGAIN...

THE SWIRLS above the figure are lines of an acrylic monoprint.

DETAILS

I WANT TO SHOW some details of the collage and the mediums used. The raindrops are copper foil which I have embossed and gilded with 23 carat gold. Their points are folded over silvered threads and hang in the sky. My new camera did pretty well shooting through the acrylic glazing on the framed painting, BUT the two white dots are gallery lighting reflections.

SUN RAIN, SUN

THIS WORK uses a bunch of different techniques. I 've photographed the work which is under glazing and hanging in the studio. A little glare but you can see many techniques and materials.