I always loosen up by lettering.
Showing posts with label calligraphy. Show all posts
Showing posts with label calligraphy. Show all posts
Thursday, March 5, 2015
Saturday, August 30, 2014
Sunday, April 13, 2014
Saturday, December 28, 2013
THE 28TH...
TODAY
is the 28th of December.
I have crisp new felt pens
for calligraphy
in Key West.
We are one of the warmest places
in the country which makes
a happy holiday for all the tourists.
Monday, October 28, 2013
"RAIN BIRDS"
'Been painting
watercolors on paper
over a ground of sanded acrylic.
I also have a batch of new brushes
They're liners which hold lots of paint
and are usually employed
for pin-striping.
Here's a detail of the 9 x 12 work before completion.
I've laid in some gold and bright white markings
after this shot.
Sunday, September 22, 2013
COLLAGE PAPERS: PRINTING ON DELI-WRAP
THE RUBBER BLOCKS
are getting a nice look:
a studio artifact.
You can print on the deli-wrap
in traditional relief technique using acrylic paints.
I cleaned out my nearly spent Liquetex tubes/jars.
Or you can do a crude intaglio process by
forcing the acrylic paint down into the grooves
(I use a credit card)
and pressing deli wrap into the grooves with a clean credit card.
I thinned the paints with gloss medium.
I have a desk-top file called
"CALLIGRAPHY."
I'll save this altered image of the block in it.
Labels:
block printing,
calligraphy,
collage,
David Scott Meier
Sunday, July 28, 2013
PILOT parallel pens
My new toys...
with new pens, namely:
Crisp wet lines in different widths-
perfect for playing and informing
passersby off less-traveled Simonton Street.
Upcoming, entertaining greetings for the doorway at 316.
'Nothing like them in town.
Saturday, July 27, 2013
Letters....I got letters.
Every day
I make a little sign
to let travelers know
where they are and the date.
It also means
is open.
Maximun occupancy: 4-ish.
I roll out what's left of my paints
onto some blocks I've carved.
This is a perfect little creative nugget
in a day that may be nothing but framing or UPS.
Thursday, June 20, 2013
Every day...
Every day I'm in the studio
I do a date/location card
for people
passing my studio door.
Some take photos by it
and
I've given it to couples on their
anniversary.
Mainly, it is an excuse to
start the day with
some calligraphy and a creative gesture.
Yes, I know I'm posting this on the 20th.
Speaking of creativity...
I had two visitors today who
are mother and daughter.
Daughter sings!
She sang some Puccini for me
and
her name is Marie Claire Curan.
Brava and break a leg!
More creativity:
"BUNNIE BOOGIE"
for
"Frangipani Gallery"
in Key West.
Oil on collage:
9 x 14 inches.
Framed; $345.
Saturday, May 4, 2013
It's a date....
Every day,
I loosen up and greet the morning
with a fresh sign by the studio door.
I use a big, chisel tip Sharpie on
clay-coated paper.
Here's today's
("May the 4th be with you...")
above my best-seller,
"Yellow Straw."
More lettering on a half-dozen
of the same print for a Sarasota client's gallery.
A pleasant, busy Saturday.
Wednesday, May 1, 2013
COOL CAT
Sunday, February 10, 2013
Boxed in....
MY NEW STUDIO
on Simonton in Key West
is working out well.
Ohhh, I found a fresh
new marker for decorating Monday's shipment.
Wednesday, February 6, 2013
Wednesday, December 5, 2012
More frames...
WHEN
I do my UPS shipments from
SEVEN ARTISTS
in
Key West,
I like to finish the grind with calligraphy
on the parcels.
Ms. Chiroff has saved a few, as you see.
I commented that the art work may not be
as archival as the frames.
Friday, November 30, 2012
Tuesday, November 27, 2012
Wednesday, July 4, 2012
"RUNNING ON EMPTY"
"RUNNING ON EMPTY"
Another embellished oil monoprint (SOLD)
on scans of Fortuny fabric.
The sketchy monoprint line surrounds
the Fortuny hand-print.
Letter forms in watercolor describe
what's in the bowl.
There's a little colored pencil in the composition, too.
A few prints are available.
Tuesday, July 3, 2012
"MES AMIS"
WHILE I'M WAITING
for frames to arrive,
let's look at
"MES AMIS."
The original (sold) is a monoprint
with acrylic and watercolor on scans
of Fortuny fabric.
That design atelier's great patterns
are a joy to see.
The smiling heart and beads are painted
over a Fortuny border design.
The flower hand-print is on very fine cotton.
This portion of the scan
shows a little of the frayed cotton edge.
I usually employ watercolor or gouache for my letter forms.
The crown's edge and face perimeter show
the oil monoprint's sketchy line quality.
Monday, April 23, 2012
'WHATTA" good dog!
Artist buddy Maggie Ruley
has nudged me back into printmaking.
Here are two new monoprints
(from a group of 9)
that show the variations
in 'moods' and color.
The one below has a little moon shape added;
it seemed like a twilight setting to me.
"WHATTA"
Acrylic monoprints on paper. 9 X 12 inches.
Monday, October 17, 2011
THE LOST PEARL
ONE
of the neat options in Painter
is a 'mirror' drawing tool.
The face structure
and
radiating leaves are drawn with it.
You can position an axis point
(or multiple points!)
in the composition and rotate its angle.
I dragged it off the picture
to finish the lettering, etc.
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